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Leo Fitzmaurice : ウィキペディア英語版
Leo Fitzmaurice is a British artist. ==Biography==Fitzmaurice was born in Shropshire, England, in 1963. He studied painting at Leicester Polytechnic, Liverpool Polytechnic and Manchester Metropolitan University. After leaving college Fitzmaurice moved away from pure painting and his practice eventually focussed on a strategy of intervening in already existing objects, materials and situations, a way of working which continues to this day. Some of his earlier work was shown at EASTinternational(【引用サイトリンク】title=EASTinternational ) in 1995 where one of his pieces was purchased for the Arts Council Collection.(【引用サイトリンク】title=Redirect: Artists ) Also after graduating Fitzmaurice developed an interest in working in non-gallery situations by co-organising a number of 'artist-led' projects such as ''All in the Mind'' (1998), with artist Patricia McKinnon Day, which took place inside a disused mental asylum;(【引用サイトリンク】title=Artworks in a straitjacket ) and ''Up In The Air/Further Up In The Air'' (1999–2004) with artist Neville Gabie, which used tower blocks as contexts for art and writing.(【引用サイトリンク】title=Public Art Online Housing Case Studies - Further up in the air )(【引用サイトリンク】title=Furtherafield ) In these projects Fitzmaurice worked with the artists and writers George Shaw, Julian Stallabrass, Elizabeth Wright, Lothar Gotz, Will Self, Anna Fox, Marcus Coates and Bill Drummond amongst others.''Further Up in the Air''. Fitzmaurice, Leo; Gabie, Neville. (Eds). Furtherafield ISBN 0-954-57780-9(【引用サイトリンク】title=From Studio to Situation (2004) )During this time Fitzmaurice continued to develop his own practice, exhibiting widely in shows such as ''Good Riddance'' at MOT, London, in 2007;(【引用サイトリンク】title=MOT International )(【引用サイトリンク】title=Frieze Magazine - Archive - Good Riddance ) the international sculpture show ''Blickachsen 6'' in Germany the same year;(【引用サイトリンク】title=Blickachsen - Archive: Blickachsen 1-8 - Contemporary Sculpture in the Historic Bad Homburg Kurpark )(【引用サイトリンク】title=Blickachsen - Archive: Blickachsen 1-8 - Contemporary Sculpture in the Historic Bad Homburg Kurpark - Works - Exhibits Details ) ''Undone'' at the Henry Moore Institute in Leeds in 2010(【引用サイトリンク】title=The Henry Moore Foundation - Undone ) (which was reviewed in Art Monthly by David Briers);(【引用サイトリンク】title=Art Monthly (Dec-Jan 10-11) ) ''The Way We Do Art Now'', curated by Pavel Buchler, at Tanya Leighton Gallery, London, also in 2010;(【引用サイトリンク】title=Tanya Leighton - Pavel Büchler - The Way We Do Art Now )(【引用サイトリンク】title=A weekend of goodness ) ''Chain Chain Chain'', 2012, at Bischoff Weiss, London, curated by Glenn Adamson;(【引用サイトリンク】title=ArtSlant - Chain Chain Chain at Bischoff/ Weiss ) and ''Cosmos Levels'', the same year, curated by Jamie Bracken Lobb at The Sunday Painter gallery, London.(【引用サイトリンク】title=COSMO’S LEVELS - The Sunday Painter )(【引用サイトリンク】title=Cosmo's Levels ) During this period Fitzmaurice developed the long-term project ''Post Match'' which was launched in 2009 with a publication by art agency Locus+. It was later shown at Gallery So in London and reviewed in Creative Times.(【引用サイトリンク】title=Leo Fitzmaurice : Post Match - 6 December 2013 - 26 January 2014 )(【引用サイトリンク】title=Art review: Leo Fitzmaurice - Post Match - Creative Times )Solo projects occurring at this time include ''Sometimes the Things You Touch Come True'' at Yorkshire Sculpture Park, 2009;(【引用サイトリンク】title=Yorkshire Sculpture Park - Leo Fitzmaurice at YSP )(【引用サイトリンク】title=Yorkshire Sculpture Park ) ''You Try To Tell Me But I Never Listen'' at the New Art Gallery Walsall, 2011;(【引用サイトリンク】title=The New Art Gallery Walsall - Whats On - Leo Fitzmaurice L You Try To Tell Me But I Never Listen - More Images From Leos Exhibition ) and ''Blank Stir'' at Grundy Art Gallery, Blackpool (with Paul Rooney), 2012.(【引用サイトリンク】title=This week's new exhibitions ) In 2008 Fitzmaurice was commissioned by Harewood House in Leeds to make the sculptural work ''What Use is a Sign if We Know The Way'',(【引用サイトリンク】title=Gardens & Grounds ) and later that same year Leeds art agency Kaavous-Bhoyroo commissioned the found-concrete multiple work ''Recouper''.(【引用サイトリンク】title=kaavous-bhoyroo ) Fitzmaurice was shortlisted for the Northern Art Prize in 2011, presented at Leeds Art Gallery, eventually winning the prize for his presentation of a slide-show of photographs and an arrangement of 13 landscape paintings from the gallery's collection.

Leo Fitzmaurice is a British artist.
==Biography==
Fitzmaurice was born in Shropshire, England, in 1963. He studied painting at Leicester Polytechnic, Liverpool Polytechnic and Manchester Metropolitan University.
After leaving college Fitzmaurice moved away from pure painting and his practice eventually focussed on a strategy of intervening in already existing objects, materials and situations, a way of working which continues to this day.〔 Some of his earlier work was shown at EASTinternational〔(【引用サイトリンク】title=EASTinternational )〕 in 1995 where one of his pieces was purchased for the Arts Council Collection.〔(【引用サイトリンク】title=Redirect: Artists )〕 Also after graduating Fitzmaurice developed an interest in working in non-gallery situations by co-organising a number of 'artist-led' projects such as ''All in the Mind'' (1998), with artist Patricia McKinnon Day, which took place inside a disused mental asylum;〔(【引用サイトリンク】title=Artworks in a straitjacket )〕 and ''Up In The Air/Further Up In The Air'' (1999–2004) with artist Neville Gabie, which used tower blocks as contexts for art and writing.〔(【引用サイトリンク】title=Public Art Online Housing Case Studies - Further up in the air )〕〔(【引用サイトリンク】title=Furtherafield )〕 In these projects Fitzmaurice worked with the artists and writers George Shaw, Julian Stallabrass, Elizabeth Wright, Lothar Gotz, Will Self, Anna Fox, Marcus Coates and Bill Drummond amongst others.〔''Further Up in the Air''. Fitzmaurice, Leo; Gabie, Neville. (Eds). Furtherafield ISBN 0-954-57780-9〕〔(【引用サイトリンク】title=From Studio to Situation (2004) )
During this time Fitzmaurice continued to develop his own practice, exhibiting widely in shows such as ''Good Riddance'' at MOT, London, in 2007;〔(【引用サイトリンク】title=MOT International )〕〔(【引用サイトリンク】title=Frieze Magazine - Archive - Good Riddance )〕 the international sculpture show ''Blickachsen 6'' in Germany the same year;〔(【引用サイトリンク】title=Blickachsen - Archive: Blickachsen 1-8 - Contemporary Sculpture in the Historic Bad Homburg Kurpark )〕〔(【引用サイトリンク】title=Blickachsen - Archive: Blickachsen 1-8 - Contemporary Sculpture in the Historic Bad Homburg Kurpark - Works - Exhibits Details )〕 ''Undone'' at the Henry Moore Institute in Leeds in 2010〔(【引用サイトリンク】title=The Henry Moore Foundation - Undone )〕 (which was reviewed in Art Monthly by David Briers);〔(【引用サイトリンク】title=Art Monthly (Dec-Jan 10-11) )〕 ''The Way We Do Art Now'', curated by Pavel Buchler, at Tanya Leighton Gallery, London, also in 2010;〔(【引用サイトリンク】title=Tanya Leighton - Pavel Büchler - The Way We Do Art Now )〕〔(【引用サイトリンク】title=A weekend of goodness )〕 ''Chain Chain Chain'', 2012, at Bischoff Weiss, London, curated by Glenn Adamson;〔(【引用サイトリンク】title=ArtSlant - Chain Chain Chain at Bischoff/ Weiss )〕 and ''Cosmos Levels'', the same year, curated by Jamie Bracken Lobb at The Sunday Painter gallery, London.〔(【引用サイトリンク】title=COSMO’S LEVELS - The Sunday Painter )〕〔(【引用サイトリンク】title=Cosmo's Levels )〕 During this period Fitzmaurice developed the long-term project ''Post Match'' which was launched in 2009 with a publication by art agency Locus+. It was later shown at Gallery So in London and reviewed in Creative Times.〔(【引用サイトリンク】title=Leo Fitzmaurice : Post Match - 6 December 2013 - 26 January 2014 )〕〔(【引用サイトリンク】title=Art review: Leo Fitzmaurice - Post Match - Creative Times )
Solo projects occurring at this time include ''Sometimes the Things You Touch Come True'' at Yorkshire Sculpture Park, 2009;〔(【引用サイトリンク】title=Yorkshire Sculpture Park - Leo Fitzmaurice at YSP )〕〔(【引用サイトリンク】title=Yorkshire Sculpture Park )〕 ''You Try To Tell Me But I Never Listen'' at the New Art Gallery Walsall, 2011;〔(【引用サイトリンク】title=The New Art Gallery Walsall - Whats On - Leo Fitzmaurice L You Try To Tell Me But I Never Listen - More Images From Leos Exhibition )〕 and ''Blank Stir'' at Grundy Art Gallery, Blackpool (with Paul Rooney), 2012.〔(【引用サイトリンク】title=This week's new exhibitions )〕 In 2008 Fitzmaurice was commissioned by Harewood House in Leeds to make the sculptural work ''What Use is a Sign if We Know The Way'',〔(【引用サイトリンク】title=Gardens & Grounds )〕 and later that same year Leeds art agency Kaavous-Bhoyroo commissioned the found-concrete multiple work ''Recouper''.〔(【引用サイトリンク】title=kaavous-bhoyroo )
Fitzmaurice was shortlisted for the Northern Art Prize in 2011, presented at Leeds Art Gallery, eventually winning the prize for his presentation of a slide-show of photographs and an arrangement of 13 landscape paintings from the gallery's collection.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアでLeo Fitzmaurice is a British artist. ==Biography==Fitzmaurice was born in Shropshire, England, in 1963. He studied painting at Leicester Polytechnic, Liverpool Polytechnic and Manchester Metropolitan University. After leaving college Fitzmaurice moved away from pure painting and his practice eventually focussed on a strategy of intervening in already existing objects, materials and situations, a way of working which continues to this day. Some of his earlier work was shown at EASTinternational(【引用サイトリンク】title=EASTinternational ) in 1995 where one of his pieces was purchased for the Arts Council Collection.(【引用サイトリンク】title=Redirect: Artists ) Also after graduating Fitzmaurice developed an interest in working in non-gallery situations by co-organising a number of 'artist-led' projects such as ''All in the Mind'' (1998), with artist Patricia McKinnon Day, which took place inside a disused mental asylum;(【引用サイトリンク】title=Artworks in a straitjacket ) and ''Up In The Air/Further Up In The Air'' (1999–2004) with artist Neville Gabie, which used tower blocks as contexts for art and writing.(【引用サイトリンク】title=Public Art Online Housing Case Studies - Further up in the air )(【引用サイトリンク】title=Furtherafield ) In these projects Fitzmaurice worked with the artists and writers George Shaw, Julian Stallabrass, Elizabeth Wright, Lothar Gotz, Will Self, Anna Fox, Marcus Coates and Bill Drummond amongst others.''Further Up in the Air''. Fitzmaurice, Leo; Gabie, Neville. (Eds). Furtherafield ISBN 0-954-57780-9(【引用サイトリンク】title=From Studio to Situation (2004) )During this time Fitzmaurice continued to develop his own practice, exhibiting widely in shows such as ''Good Riddance'' at MOT, London, in 2007;(【引用サイトリンク】title=MOT International )(【引用サイトリンク】title=Frieze Magazine - Archive - Good Riddance ) the international sculpture show ''Blickachsen 6'' in Germany the same year;(【引用サイトリンク】title=Blickachsen - Archive: Blickachsen 1-8 - Contemporary Sculpture in the Historic Bad Homburg Kurpark )(【引用サイトリンク】title=Blickachsen - Archive: Blickachsen 1-8 - Contemporary Sculpture in the Historic Bad Homburg Kurpark - Works - Exhibits Details ) ''Undone'' at the Henry Moore Institute in Leeds in 2010(【引用サイトリンク】title=The Henry Moore Foundation - Undone ) (which was reviewed in Art Monthly by David Briers);(【引用サイトリンク】title=Art Monthly (Dec-Jan 10-11) ) ''The Way We Do Art Now'', curated by Pavel Buchler, at Tanya Leighton Gallery, London, also in 2010;(【引用サイトリンク】title=Tanya Leighton - Pavel Büchler - The Way We Do Art Now )(【引用サイトリンク】title=A weekend of goodness ) ''Chain Chain Chain'', 2012, at Bischoff Weiss, London, curated by Glenn Adamson;(【引用サイトリンク】title=ArtSlant - Chain Chain Chain at Bischoff/ Weiss ) and ''Cosmos Levels'', the same year, curated by Jamie Bracken Lobb at The Sunday Painter gallery, London.(【引用サイトリンク】title=COSMO’S LEVELS - The Sunday Painter )(【引用サイトリンク】title=Cosmo's Levels ) During this period Fitzmaurice developed the long-term project ''Post Match'' which was launched in 2009 with a publication by art agency Locus+. It was later shown at Gallery So in London and reviewed in Creative Times.(【引用サイトリンク】title=Leo Fitzmaurice : Post Match - 6 December 2013 - 26 January 2014 )(【引用サイトリンク】title=Art review: Leo Fitzmaurice - Post Match - Creative Times )Solo projects occurring at this time include ''Sometimes the Things You Touch Come True'' at Yorkshire Sculpture Park, 2009;(【引用サイトリンク】title=Yorkshire Sculpture Park - Leo Fitzmaurice at YSP )(【引用サイトリンク】title=Yorkshire Sculpture Park ) ''You Try To Tell Me But I Never Listen'' at the New Art Gallery Walsall, 2011;(【引用サイトリンク】title=The New Art Gallery Walsall - Whats On - Leo Fitzmaurice L You Try To Tell Me But I Never Listen - More Images From Leos Exhibition ) and ''Blank Stir'' at Grundy Art Gallery, Blackpool (with Paul Rooney), 2012.(【引用サイトリンク】title=This week's new exhibitions ) In 2008 Fitzmaurice was commissioned by Harewood House in Leeds to make the sculptural work ''What Use is a Sign if We Know The Way'',(【引用サイトリンク】title=Gardens & Grounds ) and later that same year Leeds art agency Kaavous-Bhoyroo commissioned the found-concrete multiple work ''Recouper''.(【引用サイトリンク】title=kaavous-bhoyroo ) Fitzmaurice was shortlisted for the Northern Art Prize in 2011, presented at Leeds Art Gallery, eventually winning the prize for his presentation of a slide-show of photographs and an arrangement of 13 landscape paintings from the gallery's collection.」の詳細全文を読む



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